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I love typography & its effect on paintings, drawings, quotes, cloths, furniture, prints & anywhere that mind can not expect. Words can be very powerful in any culture, and if used properly they give a strong sense of being.
Last summer, I had the profound pleasure of visiting 3600 Heidelburg St., Detroit, Michigan. Spanning across blocks of urban Detroit’s east side sits one of the most extraordinary real-life art installations in the U.S., the Heidelberg Project.
Each week, one of our resident artists shares things they like relating to a theme or mood that inspires them. Marida posted the first installment; Christiana brings you the second.
INSPIRATION: ART NOUVEAU Read more
Last summer I walked into a clothing store on Michigan Avenue in Downtown Chicago with my sister and was immediately drawn to the music playing in the store. Right away, I asked the store greeter about the artist of the song, but was disappointed to learn that no one, not even the store manager knew anything about it. “It’s just part of the playlist that they told us to play” was all I got. Read more
The team at Great Over Good is excited to introduce you to a new column called “Great Goods”. Each week one of our resident artist will share with you an element or mood they have been inspired by and feature items that relates to this inspiration. I hope you enjoy the first roundup here from Marida! Read more
Searching for some GREAT new music? Thursday night at Detroit Bar in Costa Mesa always offers an eclectic mix of local artists, but last night they featured a particularly exciting emerging band. On their website, Max and the Moon describe themselves as “an indie rock, harmony rich, beat-driven band from Chino Hills, CA.” Bassist Zachariah will tell you they hail from a nice little horse town, and guitarist/vocalist John will tell you that Zachariah loves everything. We love that. Read more
And now, for one of my best friends and most favorite people in the world: photographer Aimee Aileen, who breathes vivacity into each frame she grabs. Read more
I recently had the pleasure of seeing multi-talented performer Donald Glover- AKA Childish Gambino. You may have seen him as Troy on NBC’s Community or laughed at his jokes on 30 Rock (where he worked as a writer from 2006-2009), but if you have not experienced Childish Gambino, you are missing this man’s genius. Read more
No matter the location or occupation of his subjects, Aletheia Photos co-founder and UK photographer Michael Carroll finds the heart of every human and exposes it on film. None of these Karen National Liberation Army rebel soldiers carrying guns and walking on plastic legs are threatening or defeated. Instead, amused, weary, alert and curious, they sit for portraits and plot tactics against the Burmese army, thoroughly human, fueled by love for their families and a desire for salvation from oppression.
There is more to a soldier than just his gun and what he does with it.
One of my favorite films is Egyptian-born director Mai Iskander’s haunting and untethered Garbage Dreams, a documentary on the ultra-resourceful lives of Egypt’s Coptic Zaballeen. The documentary is significant not only because it tracks the slow degradation of an already marginalized minority group in a tumultuous nation, but because the issues of garbage and recycling will never, ever go away, anywhere.
Iskander introduces us to Cairo’s Zaballeen, Arabic for “Garbage People,” who recycle more than 75% of the garbage they collect by hand, turning it back into raw materials shipped to manufacturers around the world. The Mubarak-era government replaces the thrifty Zaballeen with wasteful multinational collection firms that recycle less than 25% of the garbage they collect, sending the rest to enormous landfills. The film follows the lives of a few young adults affected by the change: one, a scoundrel, and the others, heroes.
After tracking down the director of this excellent film a year later, I recently discovered, but have yet to watch, Iskander’s follow-up: an elegant, deceptively simple film, Words of Witness, which follows 22 year-old amateur journalist Heba Afify on her struggle to cover her country’s democratic evolution.
Anyone up for a viewing party?